LiveMusicBlog

There’s more live music going on in Austin, Texas on any given night than there is in any other city in the world. That’s why the city has put a trademark on it is message “Live Music Capital of the World.”
There are hundreds of live music Venues in the city and its immediate environs. many are situated in three central entertainment districts: Sixth Street/Red River, the Warehouse district and South Austin. Sixth Street/Red River is the famous sector in downtown Austin that’s known around the world for it is live music scene and a number of times boisterous crowds that fill Sixth Street on the weekends when it is closed to traffic. The Warehouse district runs west from Congress Ave. along Fourth and Fifth Streets. That’s where Antone’s is located, the Venue that U.S. Today has named the perfect blues club in the country. In South Austin, there are a number of clubs on South Congress, South 1st St. and South Lamar that offer up some of the perfect new and original music in town.
The road to its live music capital status began way back in the 1960’s when a spirit of eclecticism appeared with the hippies and anti-war protesters of that era. Inclusion was in and exclusion was out, no pun intended. With the 70’s, this eclectic spirit gave birth to a form of music that was a number of times called progressive country. Joe Ely, along with co-Lubbockites Jimmy Dale Gilmore and Butch Hancock, brought this music down to Austin and hooked up with Marcia Ball and Delbert McClinton and cosmic cowboys like Jerry Jeff Walker, Michael Martin Murphy, Rusty Weir and Ray Wiley Hubbard. Willie Nelson and Waylon Jennings came back from Nashville during that time to  set tle in Austin where they may take control of the production of their tunes. A wild and authoritative musical vortex formed that saw psychedelic rock and roll mix with straight out country and blues at Venues such as the Armadillo World Headquarters, Threadgill’s, the Soap Creek Saloon and the Broken Spoke. It was cool to dig the psychedelic sound of the 13th Floor Elevators and the uncompromising country licks of Alvin Crow at the same time.
Then, in 1975, a 30-minute University of Texas music program was accepted by a number of PBS affiliate stations and Austin City Limits was launched and has become the longest running program in the story of PBS. It has propelled Austin to the forefront of the music industry ’s consciousness in the U.S. and around the world. That 1st program featured Willie Nelson, but has since put Texas music notables such as Marcia Ball, Lyle Lovett, Robert Earl Keen, Asleep at the Wheel and many, many others in the national and world spotlight.
In more recent years, the South by Southwest showcase every Spring that brings nearly 1500 artists and musical acts to town to be seen and heard by industry executives and AR categories, along with the Austin City Limits Festival in September, have kept the city on the national music map.  In addition,  dozens of other smaller festivals are held annually, as well as a number of nationally significant ones in the surrounding Hill Country such as the Kerrville Folk Festival and the Old  set tlers Reunion in Buda, just south of town.
The Austin music scene has always been a free-wheeling, break-the-mold, think-out-of-the-box type of affair. That early eclecticism lives on in the current scene, although some characteristics of the town’s soundscape seem to have become entrenched. Sixth Street/Red River attracts a young, event animal type of crowd with it is rock and roll, blues and punk scene. The Warehouse district caters to a bit older and more professional crowd in general. And South Austin retains the feel of Austin in the 70’s with its nouveau hippie coffeehouses and crowds and its prefer ence for nice singer/songwriters. Still, there are always exceptions to those general tendencies just about anywhere you go.
Austin remains a city where musical creativity and skill thrive and defy expectations. That may be experienced close up and individual in any number of live music Venues on any given night.